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Read India: A Wounded Civilization By V. S. Naipaul

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India: A Wounded Civilization-V. S. Naipaul

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In 1975, at the height of Indira Gandhi’s “Emergency,” V. S. Naipaul returned to India, the country his ancestors had left one hundred years earlier. Out of that journey he produced this concise masterpiece: a vibrant, defiantly unsentimental portrait of a society traumatized by centuries of foreign conquest and immured in a mythic vision of its past.Drawing on novels, news reports, political memoirs, and his own encounters with ordinary Indians–from a supercilious prince to an engineer constructing housing for Bombay’s homeless–Naipaul captures a vast, mysterious, and agonized continent inaccessible to foreigners and barely visible to its own people. He sees both the burgeoning space program and the 5,000 volunteers chanting mantras to purify a defiled temple; the feudal village autocrat and the Naxalite revolutionaries who combined Maoist rhetoric with ritual murder. Relentless in its vision, thrilling in the keenness of its prose, India: A Wounded Civilization is a work of astonishing insight and candor.

Book India: A Wounded Civilization Review :



The description fails to make clear that this is a collection of essays, arranged by subject matter. Most were published originally in the New York Review of Books. Read together they result in a book choppy, turgid, and a bit repetitive in its concerns. Read individually, as originally intended, they are fine. So if you buy the book, read one at a time then put it down for a few days.These essays are forty years old now. For the most part their topics -- the nature of Indian civilization and the Indian mindset, M. Gandhi's attitudes and development, and his effect on Indian society -- remain timely. But the frequent references to the Emergency no longer have any real relevance, especially since the event is unexplained (because the NYRB's readers at the time were aware of it).
In 1975, India was not finished, it was wounded. It would recover and go on, as it had gone on for thousands of years. This sentence, India will go on, must have impressed Naipaul. In fact he opens not one but two chapters with this quote from a novel by R.K. Narayan.This is typical of Naipaul's prose. Starting with someone else's words, he superimposes his own voice on theirs and creates what, to my mind, must be the finest contemporary English prose around. Through it, we experience not one person after another, but a whole cast of characters all in layers. Naipaul interviews an engineer who takes him to a village where he is introduced to a money lending landlord and his tenants. In one paragraph we are exposed to many relationships. Naipaul's and the engineer's, then the engineer's relationship with the powerful landlord who could forbid his tenants to talk to the him thus making him unable to carry out his land improvement projects. There's the relationship between the tenants and the landlord, between Naipaul and the tenants, and so on. It is almost like an opera which, unlike theater, remains coherent even if everyone is talking all at once.Economy is a mark of great art. The title makes this point too. India was wounded, not dead. But during Indira Ghandi's Emergency, it was in critical condition. And the point is made in four words.India has a long history of art and culture but their natural development was largely interrupted during the British Raj. The forms have remained but the conscious sense of continuity was lost. What remains is the here and the now. The people no longer remember their past but at any moment they feel its presence around them.I've never been to India so cannot say if Naipaul's picture of it is true or faithful. I suspect it is, but that is immaterial. It is certainly an accurate presentation of what he himself thought and felt as a foreign-born Indian returning to the land of his ancestors, and that is how we ought to measure an artist's achievement, by his ability to make us feel precisely what he wishes us to feel.Vincent Poirier, Tokyo

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